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处于改革开放前沿的广东,其民俗文化正经受着外来文化和经济大潮的洗礼而发生嬗变。如何去继承祖国优秀的文化传统、弘扬中华民族的民俗文化,是历史摆在我们面前的任务。有鉴于此,1995年我们就萌发了创作一台反映珠江三角洲风土人情的组舞的愿望,《情醉水乡》就是在这种背景下诞生的。作为《情醉水乡》台本撰写者和全剧的第一主创人员,深感在创作实践中有许多东西值得总结。
In Guangdong, at the forefront of reform and opening up, its folk culture is undergoing changes in the baptism of foreign cultures and economic tides. How to carry forward the excellent cultural traditions of the motherland and promote the folk culture of the Chinese nation is a task that history has before us. In view of this, in 1995 we have germinated the desire to create a group dance that reflects the customs and practices of the people in the Pearl River Delta. It is against this background that “Love and Drunk Water” was born. As the author of “Love and Drunk Water” and the first chief creator of the play, I deeply feel that there are many things worth summarizing in the practice of creation.