最近看了一本书,书名叫《音乐随笔》,作者是缪天瑞先生。其中一篇题为“乐曲争鸣,律制长青——第四届全国律学会议书面发言”中的摘录如下:至于在器乐曲中应用纯律的曲调是屡见不鲜的,例如在小提琴作品中,特别在乐曲中间炫技演奏段落里,或乐章结束时的华彩段里常出现按泛音原理奏出的纯律曲调。例如西班牙小提琴家兼作曲家萨拉萨蒂所作《(卡门)主题幻想曲》中有一段泛音奏出的纯律曲调。如下例: Read a book recently, the book called “music essay”, the author is Mr. Mi Tianrui. An article entitled “Music Contention, Everlasting Laws - Written Statement from the Fourth National Conference on Law” is as follows: As for the tunes used in the instrumental music, it is not uncommon to find tunes such as violins , Especially in the midst of dances in the middle of the song, or the overthrow of the pure tune, which is played out by the overtone principle, at the end of the movement. For example, the Spanish violinist and composer Sarasate made “(Carmen) the thematic fantasia,” an overthrow of pure music. As the following example: