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法国作家西蒙娜·薇依在二战期间创作三幕剧《被拯救的威尼斯》并宣称“自古希腊以来第一次重拾完美英雄的悲剧传统”。剧中的“完美英雄”的原型既追溯至古希腊三大悲剧诗人笔下的英雄传统,还追溯至柏拉图《理想国》中的完美义人形象和基督教福音书传统中的耶稣受难形象。通过构建现代戏剧与古典传统的内在关联,薇依不仅在古希腊哲学与基督教信仰这两大西方精神源头之间实现某种融会贯通,更是致力于从现代性精神困境出发寻求古典教诲的滋养。
French writer Simone Weehe created three episodes of The Rescued Venice during World War II and claimed “the tragic tradition of regaining the perfect hero for the first time since ancient Greece.” The prototype of “Perfect Heroes” in the play goes back not only to the heroic tradition of the three great tragedy poets of ancient Greece but also to the perfect righteousness in Plato’s “ideal nation” and the image of Jesus in the Christian Gospel tradition. By constructing the inherent relationship between modern drama and classical tradition, Wei Yi not only achieved some kind of harmony between the two major sources of Western spirituality, such as the ancient Greek philosophy and Christian faith, but also sought to nourish the classical teachings from the spiritual predicament of modernity.