19世纪,以“故事”为核心的偏向思想内容和社会功能的小说几乎成为包罗万象的艺术形式。小说家巴尔扎克和托尔斯泰也未能完全逃脱小说原有的故事框架。进入20世纪,现代小说理论界将关注的焦点转向作品的形式和技巧的研究。置疑和反叛自我完满的故事结构也越来越成为现代小说家 In the 19th century, novels devoted to ideological content and social functions centered on the “story” became almost an all-encompassing art form. Novelists Balzac and Tolstoy also failed to completely escape the novel’s original story frame. In the 20th century, the focus of the modern fiction theory circles has turned to the study of the forms and techniques of works. The structure of the story of doubts and rebel self-fulfillment is also increasingly becoming a modern novelist