欧阳询、颜真卿、柳公权和赵孟(兆页)是中国书法史上著名的楷书四大家。他们留下的大量碑贴,是公认的临习范本,千百年来,人们竞相临习。下面,根据自己多年来的书法教学实践,对欧、柳、颜、赵四大家的楷书特征,作一概略地分析比较,以此帮助初学者认识四体特点,选准字贴,进而读准临精,学好楷书。一、楷书四体运笔特征的比较欧体笔象,可概括为挺劲、方润、生动六个字。所谓挺劲,是说笔画是挺直状态,无颜柳之有拱,无赵之柔和。所谓方润,是指多用方笔,点捺勾折和笔画起止处,多呈 Ouyang Xu, Yan Zhenqing, Liu Gongquan and Zhao Meng (Siu-page) are famous writers in the history of Chinese calligraphy. The large number of leafmarks left behind by them is a well-established template for practice, and for thousands of years people have been competing for clinical practice. The following, according to his years of teaching practice of calligraphy, European, Liu, Yan, Zhao four regular script features, make a rough analysis and comparison, in order to help beginners recognize the characteristics of the four bodies, the quasi-word paste, and then read the standard Pro-refined, learn regular script. First, the regular script of the four characteristics of the pen compared to the European body strokes, can be summarized as Ting Jin, Fang Run, vivid six words. The so-called very stiff, is that stroke is straight state, no Yan Liu arch, no Zhao soft. The so-called Fang Run, refers to the use of multi-purpose pen, point out the hook at the beginning and ending strokes and strokes, mostly were