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一九五九年己亥五十岁去龙华写生,并作《龙华寺白牡丹》,题曰:“纤细霜毫重写真,黄家轻色得清新,百年画笔归天水,已经江南落墨人。自蜀黄氏父子以纤细轻色号为写生,而江南徐熙以落墨为花写照,其法盖出于新创,北宋以来画派大盛,至于赵佶要皆不出黄氏之体,而徐熙落墨之法散已,遂不可知。谢稚柳并记。”又题:“龙华寺白牡丹,稚柳写生。”作《平畴远风图卷》,题曰:“平畴交远风,
In 1959, he was 50 years old and went to Longhua to sketch, and wrote ”Longhua Temple White Peony.“ The title reads: ”Slender cream is a real photo. Huang’s light color is fresh. The hundred-year brush belongs to Tianshui, Since Shu Huang’s sons and sons to slender light number for the sketchbook, and Jiangnan Xu Xi as a reflection of the calligraphy, the law cover out of a new record, since the Northern Song dynasty painting Sheng, as Zhao Ying to not Huang’s body, And Xu Xi fall into the ink of the law has been dispersed, then unknown. Xie Ji Liu and mind. “” Title: “Longhua Temple White Peony, Chi Liu sketch. ” Pay far winds,