在人们普遍的传统观念中 ,似乎总认为电影编剧的创作 ,仅以它的大众化和可视性作为主体 ,而恰恰疏忽了它的文学性与审美性。众所周知 ,电影作为一门综合艺术 ,从文学中汲取养分和艺术经验 ,远比其他艺术为多。把小说的叙事因素 ,把它那种从现实关系及其矛盾运动中刻划人物性格 It seems that in the universal tradition of people, the writer of a film always considers its popularity and visibility as its main body, but neglects its literary and aesthetic qualities. As we all know, the film as a comprehensive art, learn from literature and art experience, more than any other art. The novel's narrative factor, its kind from the relationship between reality and its contradictions in characterization of character