论文部分内容阅读
在盆景制作中人们常用中国画的画论画理作依据、借鉴。在许多中国古代山水画中,都画有亭、台、楼、阁、船、桥、屋等。在元代大画家倪瓒,所画清淡的山水画中我们看到,在一个平坡上杂树三五棵,旁有茅亭一个,这个茅亭,用盆景的眼光看,显然是一个摆件,就是这个摆件,丰富了画面的内容,贴近了生活,增添了一种乐趣或野趣,创造了一个自然和谐的意境。在我们公认的一些优秀的盆景作品里,摆件起着重要的作用,如《牧歌》、《丰收在望》、
In the production of bonsai people often use Chinese painting theory of painting based on painting, learn from. In many ancient Chinese landscape paintings, are painted kiosks, Taiwan, House, Club, boat, bridge, house and so on. In the Yuan Dynasty painter Ni 瓒, we draw a light landscape painting we see, in a flat slope of thirty-five trees, next to a maoting, the Maoting, with a bonsai look, is obviously a decoration, It is this decoration, enriching the content of the picture, close to life, adding a kind of fun or rustic, creating a natural and harmonious mood. In our recognized some excellent bonsai works, ornaments play an important role, such as “pastoral”, “harvest in sight,”