郭老在建国初年曾写过一首赞美民间剪纸的诗,其中有“一剪之巧夺神功,美在民间永不朽”之句,至今尚为人们传诵。本文即借此为题来试谈剪纸问题,并志怀念郭老之意。民间剪纸艺术在我国各地流传很广,它有悠久的历史传统,和独特的民族民间风格,它是群众(多数是农村妇女,尤以西北地区为然)自己创造的、反映群众生活、抒发群众感情、寄托群众理想、为广大群众喜闻乐见的民间艺术作品。由于剪纸的作者们,并未受过任何专业训练,而主要出于业余的创造,因此在表现物象时,只能凭着直觉的印象与纯朴的感受,通过简单的工具,进行不拘成法的自由制作。所以在剪纸画面上,往往给人们一种带有原始风味的或夸张变形的感觉,成为一般专业绘画所不能代替的特殊的艺术语言。在我国西北地区的剪纸作品中,这种特点 In the early years of the founding of the People ’s Republic of China, Guo Lao wrote a poem praising the folk paper - cutting. Among them is the sentence of “a miraculous achievement in the United States and a lasting immortality in the United States” so far. This article is to take this as a topic to talk about the paper-cut problem, and will miss the idea of ​​Guo Lao. Folk paper-cut art spreads widely throughout our country. It has a long history and tradition and a unique folk style. It is created by the masses (mostly rural women, especially Northwest China), reflecting the life of the masses and expressing the masses Feelings, sustenance the ideal of the masses, loved by the masses of folk art works. Because paper-cut authors, who have not undergone any professional training and are primarily amateurs, can not express themselves in the form of intuition or simplicity, simply by means of simple tools Production. Therefore, in the paper-cut screen, people often give people a sense of the original flavor or exaggerated deformation, as a general professional painting can not be replaced by a special art language. In our country’s northwest region of the paper-cut works, this feature