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写实绘画中空间是一种对情感的构思和文化的建构。在绘画空间从三维与二维的转换过程中,这种情感的构思并没有被削弱,它至始至终贯穿于绘画的朴素的语言中。可以说不管何种形式的绘画作品,它的空间构思与情感有着密切的关系。也就是说,空间的构思与形式内容一样也暗示了画家的社会背景以及精神情感。绘画空间具有双重的意义。首先是画面中的链接物质的媒介,其次就是画面的主题场景。绘画的空间除了能联系画面的各个要素还可以提供一个具体精神场所,因此场所是空间的隐
The space in realistic painting is a kind of conception of emotion and the construction of culture. The concept of this emotion has not been weakened in the transformation of the painting space from three-dimensional to two-dimensional, and it has always run through the plain language of painting. It can be said that regardless of the form of painting, its spatial conception and emotion are closely related. In other words, the conception of space, like formal content, also implies the artist’s social background as well as spiritual emotions. Painting space has a double meaning. The first is the media of link material in the picture, and the second is the theme scene of the picture. In addition to painting space can contact the various elements of the screen can also provide a specific place of spirit, so the place is hidden space