山水画写生创作,我们行走于大自然间,置身于山林旷野,饮山泉之水,纳林野之气,食百家之黍粟,陶冶于如诗如画、如梦如幻般的仙境中,脱尽闹市、人世间一切浸至人身的非纯、非朴、非素之累;画家借此驱除一切华伪,返人生童雅之态,还人之本性纯真率直,此时,美的意识更易显现。以此心境,开张胆魄,大自然为我们提供了无尽的参考,我们主宰布置、取舍,可移花接木,也可移山倒海,以三百六十度,全方位散点视野,取其所需,心运笔随。然执笔挥毫,当其下手风雨快,笔所未到气已吞,浩浩杳杳,不滞于手,不凝于心,不知然而然,画理的重要,没有感受的人是不会明白的。同一 Landscape painting sketching creation, we walk in nature, exposure to the wilderness, drinking spring water, Nalinye gas, eat millet Millet, cultivate in the picturesque, dreamy fairyland, off The downtown, all the world immersed in the body of non-pure, non-prudent, non-prime of the tired; painter to expel all falsification, the return of childlike elegance, but also the purity of human nature straight, at this time, the United States more visible. With this state of mind, opened the courage, nature provides us with endless reference, we dominate the layout, trade-offs, removable flowers, but also to move 360 ​​degrees, a full range of scattered point of view, take their desired heart With pen. However, when writing penmanship, when its quick start, the pen has not yet been gas has swallowed, vast 杳 杳, not in my hand, not condensate in the heart, I do not know However, the importance of painting, people who do not have the feeling will not understand of. same