行为艺术的自由性质决定了它从来不会囿于单一视野的界定,也无法确切用语言把它定义出来。行为艺术的精髓在于它的视觉性和在场体验性,因而从其语言来说是优于其他艺术门类的。然而,行为艺术没有因其门槛低而被中国普通的艺术爱好者、普通的观众所接受、所理解,他们甚至也懒得为之去思考,只是斥之为一种可笑、丑陋的形式。这之间就有一个偏见和误差的鸿沟。这也是本专题的初衷,希望藉由不同的视角和立场出发,构建一个行为艺术在当下的境地与面貌。本专题特邀 The free nature of performance art determines that it never falls within a single vision and does not define it in words. The essence of performance art lies in its visual and on-the-ground experience, which is superior to other arts in its language. However, because performance art is not accepted by ordinary Chinese art lovers and ordinary audiences because of its low threshold, it is understood that they are even too lazy to think about it. They simply reject it as a ridiculous and ugly form. There is a gap between prejudice and error. This is also the original intention of this topic, hoping to set out from a different perspective and position, to create a performance art in the current situation and face. This topic invited