一85美术到底是“运动”还是“思潮”?“运动”一说最早由高名潞提出,他认为“80年代是一个唯一以‘群体’和‘运动’命名的艺术时代。”~1他强调80年代最值得铭记的是青年们的群体活动,这种群体是“一个有着明确现代艺术观的组织”~2。他们有组织,不松散,并且目的明确。因此,高名潞认为80年代“它是一个运动。运动的性质就是反传统、反权威和求变,要和过去不一样。不是要延续,而是要断裂。”栗宪庭和吕澎则在他们的著作中称这段历史为“思潮”。栗宪庭是另一位重要的亲历者,他并没有写过系统的美术史著作,但他的几篇文章却对研究“85美术思潮”有着非常重要的意义, One of the earliest art movements proposed by Gao Minglu was “movement” or “movement”. He said “the 1980s was the only one named after ’groups’ and ’sports’ The Art Age. ”1 He emphasized that the most noteworthy of the 1980s was the group activities of youth, which were“ an organization with a clear view of modern art. ” They are organized, not loose, and purposeful. Therefore, Gao Minglu regarded the 1980s as “a movement in which the nature of anti-tradition, anti-authority and change is different from the past.” It is not a continuation, but a break. “” Li Xianting and Lu Peng In their writings, we call this history “thoughts.” Li Xianting is another important witness, and he has never written a systematic history of art history. However, several of his articles are of great significance for the study of “85 Art Trends of Thought”