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院画大体形成于北宋时期,其中尤以宋徽宗时期的院画最为著名,奠定了后世所谓“院画体”的基础。日本学者白石和也在《视觉传达设计史》中明确提出:“图像记号是双方集合的产物——描绘的线条以及那些构成摄影图版画像基本形式的点,平面设计的工作就是利用这样的元素去制作图形、选择图形、配置画面去传达信息,引发人们的思考。”~1若从制作信息、传达信息等角度而言,北宋时期许多院画显然
The painting was generally formed during the Northern Song Dynasty, most notably the courtyard paintings of the Song Huizong period, which laid the foundation for the so-called “courtyard paintings” of later generations. Japanese scholar Shiraishi Kazuya also clearly stated in the “History of Visual Communication Design”: “Image tokens are the product of the collection of the two sides - the lines drawn and the points that form the basic form of photographic prints. The work of graphic design is to utilize such elements To create graphics, select graphics, configure the screen to convey information, triggering people’s thinking. ”~ 1 from the production of information, to convey information from the point of view,