甫一打开傅二石先生的画作,很意外。眼前宽阔的境界、宽厚的情怀、稳健的笔致、明朗的情绪、内敛的气质,全然不同于从潜意识里迅疾蹦出的傅抱石山水画中笔致放逸、气势纵横、水墨淋漓、激情偾张的艺术符号。在人人争相趋附于大师光环之下的今天,评价傅二石的作品,要连同其父傅抱石并以之作参照,这于傅二石先生是不公平的。因为,他是一个有强烈自我意识和自我主张的人,他的作品 As soon as he opened Fu’s paintings, it was an accident. In front of a wide realm, generous feelings, steady pen, clear emotions, introverted temperament, totally different from the subconscious quickly jump out of Fu Baoshi landscape pen and ink, unconventional, ink dripping, passionate art symbol. Today, when everyone is trying to get attached to the glorious aura of Master, it is unfair to evaluate Fu’s works in reference to his father Fu Baoshi and his references. Because, he is a man with a strong sense of self and self-assertion, his work