本文从17世纪英国经验主义哲学的美学观点开始,结合马克思主义的价值理论,现象学和符号学的思维方式进行了新的探索,主要对美的辩证内涵,艺术的状态和审美体验等方面进行了剖析,并试图强调美和艺术的个别性不应被淹没在形而上学的概括之下。 Starting with the aesthetic point of view of British empirical philosophy in the 17th century, this article explores new ways of thinking based on the Marxist theory of value, phenomenology and semiotics. It focuses on the dialectical connotation of the United States, the state of art, and the aesthetic experience Analyze and try to emphasize that the individuality of beauty and art should not be submerged under the metaphysical generalization.