水和墨是中国画的最主要元素。淡墨有清雅淡远之致,与浓墨相对而处,各具风韵。从张红军的作品中,可看出他对中国画中“水”与“墨”的关系有深刻的掌控,在绘画实践中也把握得恰到好处,形成了“淡”的风格。张红军从西安美术学院毕业后,执教于长安大学,为学生教授美术课,融实践、教学、理论于一体。特别在中国传统山水画的研习中,他从五代的山水画家入手,一路走 Water and ink are the most important elements of Chinese painting. Light ink has an elegant and far-reaching result, contrasting with thick ink, each with charm. From Zhang Hongjun’s works, we can see that he has a profound control over the relationship between “water” and “ink” in Chinese painting, and he also grasps exactly in the practice of painting and forms a style of “light”. After graduating from Xi’an Academy of Fine Arts, Zhang Hongjun coached at Chang’an University, teaching art classes for students, integrating practice, teaching and theory into one. Especially in the study of traditional Chinese landscape painting, he started from five generations of landscape painters, walking all the way