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巩义窑是唐代北方烧造三彩与白瓷的著名窑口。文章从唐代巩义窑陶瓷器中出现的粟特样式与波斯样式入手,归纳唐代巩义窑对外来文化的模仿与创造,分析唐代思想史与对外交流史在陶瓷器物上的投射方式,并结合巩义三彩的出土环境阐述三彩作为随葬明器是唐代“薄葬”制度下的变通,从而探讨典型明器在唐代墓葬中的功能。
Gongyi kiln is the famous northern kiln burning white and white porcelain in the Tang Dynasty. This article begins with the Sogdian style and Persian style appearing in Gongyi kiln ware of Tang Dynasty, summarizes the imitation and creation of the external culture of Gongyi kiln in the Tang Dynasty, and analyzes the projection style of the history of thoughts and foreign exchange in Tang Dynasty on the ceramic objects. Combining with the colorful unearthed environment of Gongyi, this paper expounds that the three colors as funerary vessels are the variations under the system of “funeral” in the Tang Dynasty, so as to explore the function of typical archetypes in tombs of the Tang Dynasty.