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本文以多年来的田野调查为基础,以大理白族自治州巍山县和周城村两地甲马艺术为田野调查对象,从艺术学和民俗学的视角分析两地甲马艺术题材、民俗现象、艺术特征、传承模式等方面的异同并存现象。大理巍山和周城的甲马艺术虽源于汉文化,在长期的发展过程中融入当地的本土文化于其中,充分再现了当地深厚的历史文化、人文环境、宗教信仰、风俗习惯、审美情趣等;甲马艺术的这些异同文化特征是当地民族文化的载体和表现符号,有着深厚的文化价值意义。
Based on the field investigation over the years, this article takes the Weimar art in Weishan County and Zhoucheng Village in Dali Bai Autonomous Prefecture as the field investigation object. From the perspective of artistry and folklore, this essay analyzes the theme of Jiama art, folklore and art Characteristics, inheritance patterns and other aspects of the similarities and differences coexist. Although the origins of the art of Weimari in Dali Weishan and Zhoucheng originated from the Han culture, they are integrated into the local culture in the long-term development process, fully reproducing the local profound historical culture, human environment, religious beliefs, customs, aesthetic taste Etc. These similarities and differences of the cultural characteristics of Jiama art are the carrier and expression symbol of the local ethnic culture and have profound cultural value.