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作为西洋画艺术的一种表现形式,水彩画在流入中国的百年历史中不断与博大精深的中华文化发生碰撞和融合。历代水彩画艺术家力求从中国传统美学层面入手,打造更具民族化和本土化的水彩画艺术。在这一发展历程中,水彩画的意象性表现便充分体现了中华民族的传统美学精神,利用具有中国传统艺术特色的造型对水彩画的绘画语言进行补充和丰富。文章从水彩画意象性表现的成因出发,对其表现形式和特征进行了深入分析,并提出了一系列思考。
As a manifestation of Western painting art, watercolor continues to collide with the profound Chinese culture in its century-long history of flowing into China. Ancient watercolor artists strive to start from the traditional Chinese aesthetics, to create a more national and local watercolor art. In this course of development, the imagery of watercolors fully embodies the traditional aesthetics spirit of the Chinese nation, and makes use of the modeling with Chinese traditional art features to supplement and enrich the watercolor drawing language. Based on the causes of the watercolor imagery performance, the article makes an in-depth analysis of its manifestations and characteristics and puts forward a series of considerations.