论文部分内容阅读
在创作中国画《雅居图》的过程中,本人充分运用了墨色的变化,力求表现出山水的空间感和层次感。本文对“五墨六彩”理论做了一个系统地分析,并对“五墨六彩”理论在中国画的应用上给予了新的展望。希望为对这一画技方法提供帮助。
In the process of creating the Chinese painting “Yaju Tu”, I made full use of the change of the ink color in an effort to show the sense of space and level of the landscape. This paper gives a systematic analysis of the theory of “Five Colors and Six Colors” and gives a new outlook on the application of “Five Colors and Six Colors” theory in Chinese painting. Hope to help this painting techniques.