从米开朗基罗到罗丹一般西方美术史论到雕刻的时候,往往把罗丹作为米开朗基罗的继承者。为什么?雕刻的发生源自一种人类的崇拜心理,无论是对神的崇拜,或者对英雄的崇拜。雕刻家的创作就是把神与英雄的形象具体化。雕刻家在工作中,虽然有相当的自由,可以发挥个人才华,但是无论在内容上,在形式上,还要服从社会群体意识长期约定俗成的要求。罗丹的出现,把雕刻作了根本性的变革,他不从传统的规格、 From Michelangelo to Rodin In general, Western art history, when it comes to carving, often uses Rodin as the successor to Michelangelo. Why? Carving occurs from a kind of human worship, whether it is the worship of God, or the worship of heroes. The creation of the sculptor is to embody the image of God and heroes. Although sculptor has considerable freedom in his work, he can display his personal talents. However, in terms of content, the sculptor must follow the long-standing conventions of social group consciousness. Rodin’s appearance, the carving made a fundamental change, he does not from the traditional specifications,