从当代绘画总体来看,苟健生的作品属于正在穿越表象走向一种视觉错觉、追求超越、并向即定模式挑战的变异的一代画家的新风格。 从根本上说,在苟健生身上仍然体现着中国式学院派教育的尊重写实的特点。因此,苟健生的一批水粉写生,以表现川西藏区风光为主,强调空间的逻辑关系、冷暖变化与光 From the perspective of contemporary painting as a whole, Gou’s works are part of the new genre of a generation of painters who are now moving through the myth that visualization moves toward a visual illusion, the pursuit of transcendence, and the challenge to the immediate mode. Fundamentally speaking, Gou Jiansheng still embodies the respect and realistic characteristics of Chinese-style academic education. Therefore, Gou Jian-sheng, a group of gouache sketching, in order to show the scenery of the main Tibetan areas in Sichuan Province, emphasizing the logical relationship between space, cold and warm changes and light