黑色幽默是喜剧美学中一个较为另类的概念和范畴,它打破了传统喜剧“无害性”的戒律,将极端荒谬背理的黑色基因注入喜剧,造成了恐怖与滑稽交融的双重美学效果。中国当代黑色幽默电影在总体风格上与欧美同类电影相近,但又呈现出不同的个性特色,大体上可区分为三种具有不同叙事特征的风格类别:写实体直面生活的本真面目,以种种修辞手法引发思考,在啼笑皆非乃至悲喜泯灭中营造震惊之后的沉思和内省;戏谑体以假定性和游戏化见长,在玩世不恭的外表下透发出辛辣的反讽;隐喻体表现性特色鲜明,以象征性的审美意象激发受众联想和想象,造成多元化和多义性的审美效果。 Black humor is a rather alternative concept and category in comic aesthetics. It breaks the precept of the traditional comedy “innocuous ” and injects the black genes with extreme absurdity into the comedy, resulting in the double aesthetics of the combination of horror and comic. Chinese contemporary black humorous movies are similar in overall style to the similar films in Europe and the United States, but show different personality traits. Generally speaking, they can be divided into three types of genres with different narrative features: writing entities face the true colors of life, The techniques lead to pondering over the contemplation and introspection after being shocked by both joys and sorrows and exterminations; the joking body is known for its hypothetical and gamified appearance and spicy irony under the cynical appearance; the metaphorical body is distinctive in its distinctive features as a symbol The aesthetic image of sexuality inspires the audience to associate and imagine, resulting in a diversified and ambiguous aesthetic effect.