杂糅性作为当代美国本土文学研究中的一个不可忽视的特征,在北美殖民地开辟以来,也伴随着美国本土文化的变迁而不断发生着改变。起初,杂糅最初被界定在生物层面,以白人—本土人的混血儿的形象活跃在早期的本土作品和白人感知之中,被描绘为野蛮和低等的形象。随着多元化文化的发展,杂糅的概念逐渐从边缘化的位置摆脱出来,并从文化的角度进行重新阐释,当代本土作家也因解析角度的更新而赋予了当代本土文化以更独立的文化身份和自我归属的空间。 As a non-neglectable feature of contemporary American literature in the United States, heteroticism continues to change along with the changes of the native American culture since the colonization of North America. Initially, hybrids were initially defined at the biological level, active in white-native biracial images in early native works and in white perceptions, depicting barbaric and inferior images. With the development of diversified cultures, the concept of hybridization gradually emerges from the marginalized position and is reinterpreted from the perspective of culture. Contemporary native writers also give contemporary indigenous cultures more independent cultural identities due to their analytical perspectives And self-belonging space.