明代以后的龙泉窑青瓷,历来被看做是强弩之末。通常认为明代龙泉瓷胎体厚重,釉层凝厚,与元代作品相比稍逊一筹,与轻盈灵秀的宋代梅子青、粉青瓷相比更有距离。在这种传统观念影响下,明代龙泉青瓷部分产品的高超烧造水平几乎被忽略了。因此,长期以来,关于明代龙泉窑的分期研究相对是薄弱的。近年来,经过文 After the Ming Dynasty Longquan kiln celadon, has always been seen as a spent force. It is generally believed that the Longquan porcelain carcass of the Ming Dynasty was thick, the glaze layer was thick, inferior to the works of the Yuan Dynasty, and far away from the light and graceful plum green and pink celadon of the Song Dynasty. Under the influence of this traditional concept, some of Longquan Celadon Ming Dynasty superb firing level is almost ignored. Therefore, for a long time, the staging of Longquan kiln in Ming Dynasty is relatively weak. In recent years, after the text