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随着威尼斯双年展各大展馆内容愈发彰显的后民族性,今年兴许就是亚洲全球化的轮廓初露之时。坐落于军火库展区主入口对面的香港馆令人垂涎,艺术家曾建华与策展人郑道炼在此合作,呈现了不可思议的新面目:展馆内的庭院大部分都被遮盖了起来——两年前这里的面貌经由上一届的香港艺术家李杰诗意地留白——这块被覆盖的空间和整个展馆内部,营造出一幕令人身临其境的视觉体验:只见流动的白色文字滚动着滑过天花板、墙壁和地面。水,终究是威尼斯和香港这两座不断下沉中的群岛共有
With the post-nationality of the venues of the Venice Biennale becoming more prominent, perhaps this year marks the beginning of the profile of Asia’s globalization. The coveted Hong Kong Pavilion, located opposite the main entrance to the Arsenal Pavilion, is where the artist Zeng Jianhua and the curator Zheng Daolian co-operate and present an incredible new look: most of the courtyard inside the pavilion is covered up - for two years The former appearance is poetically left blank by the last Hong Kong artist Li Jie - the covered space and the interior of the exhibition hall create an immersive visual experience: I saw the flowing white text scroll Slide over the ceiling, walls and floor. The water, after all, is shared by the ever-falling islands of Venice and Hong Kong