自象征主义于 19世纪中叶滥觞于法国并传入中国后 ,现代文坛的许多文艺名家对“象征”多有论述。他们从不同角度、不同层出对“象征”概念的生发阐释相互龃龉 ,集中体现在梁宗岱《象征主义》一文的论述中。朱光潜阐释了“象征”的基本概念 ,梁宗岱则阐释了象征主义的“整体象征论” ,成为新文学象征主义诗歌的理论基石 Since the symbolism began in France in the mid-19th century and spread to China, many literary and artistic masters in the modern literary world talked about “symbolism.” From different perspectives and from different perspectives, they have coexisted with each other on the germinal explanation of the notion of “symbolism”, which is embodied in the essay of Liang Zongdai’s Symbolism. Zhu Guangqian explained the basic concept of “symbolism”, while Liang Zongdai explained the “symbolism” of symbolism and became the theoretical foundation of the symbolism poetry in the new literature