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敦煌石窟被世人赞颂为“东方艺术明珠”。尤其是其中十一个朝代千余年间保存下来的大量壁画,呈现了我国数千年间绘画艺术的发展进程。倘若,任壁画一字排开,并肩伸展长达30多公里。其规模之大、气势之浩瀚、内容之丰富都无疑使之成为世界历史上最宏伟的一个画廊。以唐朝时期莫高窟112窟的《伎乐图——反弹琵琶》为主人翁,在感受传统工笔独特的艺术风韵,细腻的色彩、工整的画面氛围的同时尝试多种工笔技法,探寻现代工笔画震撼的画面感染力,以及强烈的视觉冲击力。诠释唐朝时期敦煌壁画的造型特征和骨法用笔;探究了如何运用多元化的绘画素材及多样表现性的艺术形态。能够在意境上营造出生涩、沧桑、厚重的历史感,呈现如今敦煌壁画《伎乐图——反弹琵琶》虽斑驳残缺却永远无法剥落、凋零的魅力。
Dunhuang Grottoes are praised by the world as “Oriental Pearl of Art.” In particular, a large number of murals preserved in more than a thousand dynasties in the eleven dynasties have shown the development of the art of painting in our country for thousands of years. If, any murals lined up, stretching side by side up to more than 30 kilometers. Its size, vast expanse and abundance make it undoubtedly the most magnificent gallery in the history of the world. In the Tang Dynasty Mogao Grottoes Cave 112 “magic map - rebound pipa” as the masters of the traditional style in the unique artistic charm, delicate colors, neat picture atmosphere at the same time trying a variety of meticulous techniques to explore the modern style Draw a stunning picture appeal, and a strong visual impact. Explain the modeling features and bone-type pen of Dunhuang murals during the Tang Dynasty. Explore how to use diversified painting materials and various expressive artistic forms. It can create jerky, vicissitudes of life and thick sense of history in the artistic conception, presenting the charm of the Dunhuang mural “Gele Lutu - Rebirth Pipa” which is now mottless to spall and wither.