从1982年林兆华执导的《绝对信号》算起,小剧场话剧在国内已经走过了将近三十个春秋。从刚刚起步时的晦涩难懂到成为当下一种时尚的都市文化快餐,小剧场话剧的发展道路可谓坎坷艰辛。然而,就目前现状而言,时尚似乎成了小剧场话剧的特质。为了追逐经济利 Since the “absolute signal” directed by Lin Zhaohua in 1982, little theater drama has passed nearly thirty years in China. From the beginning of obscurity to become the moment a stylish urban culture fast food, small theater drama development path can be described as bumpy and difficult. However, as far as the current status quo, fashion seems to have become a trait of small theater. In pursuit of economic profit