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汤清海,1935年生,毕业于广州美院,师从黎雄才、关山月,曾任齐白石纪念馆首任馆长,现为中国美协会员。山,作为山水画中的主要元素,既是画家艺术诉求的主体,又是衡量画家艺术成就和识别画风流派的重要标志。纵观中国山水画中的山,在题材的选择上,基本上可分为两大类:一类是“意境”中的山,即“造境”;另一类是写生中的山,即“写景”。汤清海先生笔下的山,属于后一类,是来自写生中的山。传统的中国山水画,由于受老庄自然哲学思想的影响,基本上走到了一个与现实世界不相关的境地。自宗炳开始,对
Tang Qinghai, born in 1935, graduated from the Guangzhou Academy of Fine Arts. He studied under Li Xiongcai and Guan Shanyue. He was the first curator of Qi Baishi Memorial Hall and is now a member of China Artists Association. Mountain, as the main element of landscape painting, is not only the main body of painter ’s artistic appeal, but also an important symbol to measure the painter’ s artistic achievement and recognize the style of painting. Looking at the mountains in Chinese landscape painting, in the choice of theme, can basically be divided into two categories: one is the “mood” in the mountains, that is, “the environment”; the other is the sketch Mountain, that is, “scenery”. The mountain of Mr. Tang Qinghai’s writing belongs to the latter category and comes from the mountain in sketch. Due to the influence of Lao-Zhuang’s philosophy of nature, the traditional Chinese landscape painting basically came to an unrelated position with the real world. Since Zong Bing, right