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高台庙堂与仙境之城——马王堆一号墓黑地彩绘棺成仙之所的发现与确定张启彬在《高台庙堂与仙境之城——马王堆一号墓黑地彩绘棺成仙之所的发现与确定》一文中,以马王堆一号墓黑地彩绘棺(漆棺第二层棺)的纹饰为研究对象,重新审视漆棺图像的结构与纹饰,确定其边缘纹样中带有建筑性质的“城郭”、“仙山”、“池水”、“高台”等图案,构建了一组带有明堂意味的“仙境之城”形象,即逝者灵魂的归处。据此,作者提出漆棺上的城郭纹饰也是一种表现方法,与主题图像一样具有特定含义,参与了整个漆棺组合乃至整座墓葬的仪式信仰构建。□(摘自《学院美术》2014年01期)
Gaotai Temple and the City of Wonderland - Mawangdui Tomb of the black painted coffin immortal discovery and determination Zhang Qibin in the “Gaotai Temple and the fairyland - Mawangdui Tomb of the black painted coffin immortality Discovery and Confirmation ”, this paper studies the ornamentation of the painted coffin (the second coffin of the lacquer coffin) in the Mawangdui Tomb, and re-examines the structure and decoration of the lacquer coffin, There are architectural features such as “castle”, “mountain”, “water”, “high-profile” and other patterns, with a set of Ming Tong means to create a “fairy city” image, that is, The soul of the home. Accordingly, the author proposes that the checkered ornament on the lacquer coffin is also a method of expression, having the same specific meanings as the subject image, and participating in the ritual belief building of the entire lacquer coffin and even the whole tomb. □ (From “College Art” 2014 年 01 期)