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在我国戏曲百花园中占有重要一席之地的粤剧,它具有鲜明的自我个性,包括地方个性、剧目个性和舞美艺术个性,这是粤剧存在和发展的根本因素之一。站在传统与现代的交汇点上,对粤剧舞美艺术进行回顾,是有一定积极意义的。在广东粤剧界生活了40个年头的我,试从粤剧舞美艺术创作个性处理的实践与规律中,作如下浅略的描述和探讨。 一、自我个性与剧目个性 我认为个性是在共通群体单,某一个分子具有其他分子所不能代替的特殊的元素而产生了个性。在舞台美术范围里,除了设计者的个
Cantonese opera occupies an important position in the opera garden of Chinese opera. It has distinct self-personality, including local personality, repertory personality and art of dancing and beauty, which is one of the fundamental factors of the existence and development of Cantonese opera. Standing at the intersection of tradition and modernity, it is of some positive significance to review the art of performing arts in Cantonese opera. I live in Guangdong Cantonese opera for 40 years, trying out the practice and law of individualized handling of Cantonese opera and Wushu art creation for the following brief description and discussion. First, the individual personality and repertoire Personality I think personality is a common group single, a molecule with other elements can not be replaced by the special elements of the personality. In the stage of art, in addition to a designer