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对于油画民族化这一说法,过去我从来没有正面思考过,因为工作上的原因才使我有机会在近期去认真想想这个问题。2002年我加入了西安美术学院油画民族化工作室,从事油画创作和教学。在这一工作过程中,结合这几年的生活感悟,我有了那么一些体会,并逐渐感到这个题目的现实意义和学术价值。随着我国改革开放的大趋势,我国和西方在文化领域的交流日益增多,使得我们
In the past, I never thought positively about the nationalization of oil painting. Because of my work, I had the opportunity to seriously think about this issue in the near future. In 2002 I joined the Xi’an Academy of Fine Arts oil painting nationalization studio, engaged in oil painting creation and teaching. In this work process, combined with the sentiment of living in recent years, I had some experience, and gradually felt the practical significance and academic value of this topic. With the general trend of China’s reform and opening up, the exchange between our country and the West in the field of culture is increasing day by day, making us