艺术地创造空间环境,在我国已有悠久的历史和丰富的实践经验,尤其是中国的古典园林,在空间的处理上有着独树一帜的艺术特色。历代建筑师和园艺家们无不在空间的创造上花费大量心思,他们巧妙地运用空间的变化规律,或浸透、或连隔、或虚实,使原有的有限空间小中见大,局促中见舒展,在空间中造成一种不定性的模糊概念,即空间与空间穿插流通,重叠交错,界限含混不定。这种“不定性空间”存在于“围”与“透”之间,存在于“有”与“无”之间,存在于“内”与“外”之间。正是这种空间的不定性,赋予空间丰富而耐人寻味的意境,创造了新的空间感受。 在北京电视台室内庭院的设计中,我尝试了“不定性空间”的传统设计手法,以求在狭窄有限的空间环境里创造出丰富变化的新感受。 Art to create a space environment, in our country has a long history and rich practical experience, especially in China’s classical gardens, in the spatial processing has a unique artistic characteristics. Architects and horticulturists of all ages have spent a great deal of time and space in the creation of space. They cleverly use the changing laws of space, or infiltrate, or even, or the actual situation, so that the original limited space to see the big, crooked in the see Stretching creates an ambiguous concept of ambiguity in space, in which space and space are interspersed, overlapping and overlapping, and the boundaries are ambiguous. This kind of “uncertainty space” exists between “Wai” and “Toto”, between “existence” and “nothingness” and between “inner” and “outer”. It is this uncertainty of the space that gives the space a rich and intriguing artistic conception and creates a new sense of space. In the design of Beijing TV indoor courtyard, I tried the traditional design method of “uncertainty space” to create a new feeling of change in a narrow space environment.