论文部分内容阅读
本文穷尽式地考察了明代江西人汤显祖诗赋（赞）的用韵，从近体诗、古体诗、赋的三种不同用韵系统，揭示了汤显祖诗文用韵的多面性，为正确评价汤显祖是否懂声律，提供了事实论据。
This essay exhaustively examines the rhyme of Tang Xianzu ’s poems and fuctions in Jiangxi Province in the Ming Dynasty. From the three different rhyming systems of the near - body poetry, archaic poetry and fu, it reveals the multifacetedness of Tang Xianzu’ Acoustic law provides the factual argument.