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新中国成立到“文革”开始前的十七年里,舞蹈艺术在历经“启蒙文艺”、“革命文艺”之后,开始走向了以马克思主义文艺理论为指导思想的艺术发展道路。在“继承与发展”、“中国与西方”辩证关系的讨论中,对“民族形式”和“中国风格”的思辨,呈现出新中国舞蹈发展的多维状况,体现出新中国初期舞蹈创作的基本观念,折射出新中国初期“艺术与政治”双重标准下的舞蹈评论思想与尺度。对新中国十七年相关舞蹈观念的阐释与分析,对于我们继而考察“文革十年”和“改革开放”的舞蹈文艺发展具有一定的借鉴作用,是对中国现代舞蹈史学研究的有益补充。
In the 17 years since the founding of New China to the “Cultural Revolution”, after going through “Enlightenment and Art” and “Revolutionary Literature and Art”, the dance art began to move towards the development of art guided by the Marxist theory of literature and art the way. In the discussions on the dialectical relationship between “inheritance and development” and “China and the West”, the speculation on “national forms” and “Chinese styles” shows the multidimensional situation of the dance development in new China, The basic concepts of early Chinese dance creation reflects the thoughts and standards of dance reviews under the dual standards of “art and politics” in the early days of new China. The interpretation and analysis of the related dance conceptions of the 17 years in New China have a certain reference to the development of the dance literature and art that we then examine in the “10 Years of the Cultural Revolution” and “Reform and Opening up.” This is a reference to the study of the history of modern Chinese dance Benefit supplement.