在背着“骄娇二字”沉重符号的峥嵘岁月,她把“有则改之,无则加勉”视作捍卫希望与尊严的乐观慰藉。坎坷尽消,林昏静好之时,“顺其自然,随遇而安”成了她寻求更深意义与旨味的座右铭。离开舞台几十年后,王红有时还会梦见年轻时的一幕。她记得那是在辽宁阜新。十九岁时清瘦的自己,正坐在剧院的后台,随意翻着手里前天刚拿到的田汉剧本《情探》。这戏原名叫《活捉王魁》,讲的是一个为情所伤的女子,死后化为鬼魂,试探和惩治绝情郎,故事曲折又精彩。前天晚上当小说一口气读完,厚厚一本台词,七 Taking the magnificent years bearing the heavy symbol of “arrogance”, she regarded “there is a change, and no one exhorts” as an optimistic relief to defend the hope and dignity. When the ups and downs, Lin Fushi good time, “let it be, with the event ” became her motto to seek deeper meaning and purpose. Decades after leaving the stage, Wang sometimes dreams of a young man. She remembered it was in Fuxin, Liaoning. At the age of nineteen, his lean body was sitting in the backstage of the theater, turning his hand over the Tianhan script “Qing Tan” that he had just acquired the day before yesterday. This movie was originally called “Survival Wang Kui”, about a woman hurt by love, after death into a ghost, temptation and punish the soul, the story twists and turns and wonderful. The night before when the novel breath read, a thick line, seven