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否定哲学是马氏理论的哲学基础,肯定哲学思维方式的盛行导致西方发达工业社会反思、批判、超越特质的淡去。身处其中的人与艺术也因技术作为新的意识形态而再度异化。极权主义盛行,大众文化泛滥使得人们精神层面的需求滑向了消费主义与工具理性的合谋之下。审美过程不再是自主性的而是被掌控的、“单向度”的。被视为“审美乌托邦”的审美之维是马氏关注当下生存窘境而提出的救赎策略,其慰疗功能与象征意义理应被承认。
Negative philosophy is the philosophical basis of Markov theory, affirming that the prevalence of philosophical thinking has led to the reflections, criticisms and surpassing of idiosyncrasies in western developed industrial society. The people and arts in them are alienated again because of the new ideology of technology. The prevalence of totalitarianism and the proliferation of popular culture have made people’s spiritual needs slip to the conspiracies of consumerism and instrumental rationality. The aesthetic process is no longer autonomous but controlled, “one-dimensional”. The aesthetic dimension which is regarded as “aesthetic utopia ” is the salvation strategy proposed by Markov concerned with the current dilemma of survival. Its therapeutic function and symbolic significance should be recognized.