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面对唐诗,清代宗宋派诗人厉鹗表现出不否定、不忽视的态度。并且他看待诗歌发展的具体问题时,曾有“诗不可以无体,而不当有派”、“物穷则变,变则通”的观点。不少研究者由这些诗论得出厉鹗诗学观乃“宏通的宗唐宗宋观”、“兼采互参”的结论。其实,这些个别涉及唐诗的诗论并不足以作为他宗唐的证据。厉鹗作为一个宗宋者并不意味着他不能认同唐诗自有的精华。面对唐诗,厉鹗采取认可的态度也有其背后的原因。他的基本态度是:以较为公允的态度看待唐诗,不否定唐诗,甚至有时承认唐诗的可取之处,但这并不等同于主唐、宗唐,也尚未达到所谓的“唐宋互参”的地步。在清代唐、宋之争的诗潮中,厉鹗始终是个坚定的宗宋派。
In the face of Tang poetry, Li Zong, a poet by the Song and Yuan dynasties in Qing Dynasty, showed no-negation and no-neglect attitude. And when he looked at the specific problems in the development of poetry, he had the idea that “poetry can not be invisible but improperly factionalized” and that “things change while things change”. Many researchers conclude from these poetic theories that Li Li’s poetics is the conclusion that “Wang Tong’s case of Tang Zong and Song” In fact, these individual poetic theories concerning the Tang poetry are not enough evidences to prove their conquests. Li Li as a Song does not mean that he can not agree with the essence of Tang poetry. In the face of Tang poetry, Li Li adopted a recognized attitude also has its reasons behind. His basic attitude is: to treat the Tang poetry with a fair attitude, not to deny the Tang poetry, and sometimes admit the merits of the Tang poetry, but this is not the same as the Tang and the Tang dynasties, nor has it reached the so-called “ ”Point. In the tide of the Tang and Song dynasties in the Qing Dynasty, Li Li was always a firm Song dynasty.