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上世纪80年代初期,我在南方一所大学读中国现代文学专业的硕士研究生学位,导师出面请樊俊先生审阅我的论文并担任答辩导师,答辩结束后,他应邀为中文系师生做了一场关于老舍的生平与创作的关系的学术报告。那时的现代文学研究给作家排名的次序是鲁迅、郭沫若、茅盾、巴金、老舍、曹禺,即俗称的鲁郭茅巴老曹,老舍的文学地位不低,但不在第一梯队,我们那时读现代文学作品时,导师也要求鲁郭茅的全集或文集是必看的,对老舍的作品则挑最著名的
In the early 1980s, I was studying for a master’s degree in Chinese modern literature at a university in the south. After the instructor came forward, Mr. Fan Jun reviewed my dissertation and acted as the counter-mentor. After the defense was completed, he was invited to do a Chinese faculty An Academic Report on the Relationship between Lao She’s Life and Creation. At that time, the order of modern literary studies to writers was Lu Xun, Guo Moruo, Mao Dun, Ba Jin, Laoshe, Cao Yu, commonly known as Lao Guo Mao Ba Lao Cao. Lao She’s literary status is not low, but not in the first echelon. When reading modern literary works, the tutor also demanded that the complete works or anthologies of Luguo Mao be necessary and that the works of Lao She pick the most famous