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楚漆器是中国悠悠七千年漆工艺史上一颗璀璨的明珠,它所处的东周是历史上一个风云突变的时代,是中国社会的转型时代,是中国文化的“元典”和“轴心时代”。楚漆器就是在这诸子争鸣的文化环境中应时而生,带着远古南中国特有的激情与浪漫,承续着古老传统并赋予新意,造就了一种独特的艺术风格,体现了楚人特有的文化精神和审美理念。本文以楚系贵族墓所出漆器为代表,从文化发展的深层面,对楚漆器功能、装饰艺术及制作工艺发展过程中的传承与发展及其原因进行较全面的论述,力争对当时楚漆器艺术所达到的水平有一个较为全面客观的认识。
Chu lacquerware is a shining pearl in the history of 7000-year-old lacquer craft in China. The Eastern Zhou Dynasty where it was located was a time of sudden change in history, an era of social transformation in China, a “Yuan Dian” and a " Axis Age. Chu Lacquer Ware came into being in time in the cultural environment where the philosophers contend with each other. With the passion and romance unique to the ancient South China, inheriting the ancient traditions and giving new ideas, Chu Lacquer Ware has created a unique artistic style that reflects the uniqueness of Chu people Cultural spirit and aesthetic ideas. This paper takes the lacquer wares from the nomadic tomb of Chu as the representative, discusses the inheritance, development and causes of the lacquer ware function, decoration art and the craft of the Chu from the depth of the cultural development in a more comprehensive way, The level reached has a more comprehensive and objective understanding.