戏剧理论总结,戏剧是动作的艺术。亚里士多德说“悲剧是对于一个严肃、完整、有一定长度的行动的摹仿;……摹仿方式是借人物的动作来表达,而不是采用叙述法”。~1黑格尔说,“能把个人的性格、思想和目的最清楚地表现出来的是动作,人的最深刻方面只有通过动作才能见诸现实”。这种抽象的理论总结非常正确,但对创作中的编剧来说,除了作为戒律基本无用。它还往往引起误解——当然错在误解者本人——很多创作者无视 Drama theory concluded that drama is the art of action. Aristotle said: “Tragedy is a mimesis of a serious, complete, and certain length of action... The method of imitation is expressed by the actions of characters rather than narrative methods.” Hegel said: “The most clear manifestation of an individual’s personality, thought, and purpose is the action, and the deepest aspect of man can only be seen by action.” This abstract theory is a very correct summary of the theory, but for writers in the creation, except as a basic precept and useless. It also often leads to misunderstandings - of course, wrongdoers themselves - many creators ignore it