贝克辛斯基(1)被谋杀于2005年2月,这位才情四溢,辉煌一生的艺术家给世人呈现了异常存在的惊悚之美,他的作品驱使读者进行关于“特定景观指向”可靠性方面的探讨。简而言之,这既是当代艺术语境范畴同时又是后现代文化问题。贝克辛斯基从20世纪60年代的绘画延续了他早期摄影作品的主题内容,如荒 Bakersman (1) was murdered In February 2005, this talented and glorious artist presented to the world an anomalous thriller of beauty, and his work drives the reader to make sure that “certain landscape orientation” is reliable Sexual aspects of the discussion. In short, this is both a context of contemporary art and a post-modern culture. Bakerinski’s paintings from the 1960s continued the thematic content of his early photographs,