在“全球化”全速推进的时代,中国的大都市飞速发展,重新绘制的地图根本无法赶上狂飙突进的建筑速度。这其中,中国电影也参与到重绘城市地图的行列之中,它用影像方式呈现出都市新的景观,协调瞬息万变的都市价值,并评价城市转型中众多的问题。本文以多重地点性比较显著而且集中的城市之一——北京为主要研究对象,考察“电影绘图”(cinematic mapping)这一别致的虚构城市的方式,它将动态感觉、情感内涵与各类混乱现象进行强化性表达,对诸如时间、空间、地点、均衡、身份及主体等议题作出独特的解读,从中引出三个有关全球、国家和本土的理论问题。 In the era of full globalization of “globalization”, China’s metropolis is developing rapidly. The re-drawn maps simply can not catch up with the speed of the hurricane’s sudden construction. Among these, Chinese films are also involved in redrawing the map of the city, presenting new metropolitan landscapes by means of images, coordinating the ever-changing urban value, and evaluating numerous problems in urban transformation. In this paper, Beijing, one of the most significant and concentrated cities with multiple locations, examines the unique cinematic mapping mode of “fictional city”, which combines dynamic feeling, emotional connotation, Class chaos phenomenon to strengthen the expression of such as time, space, place, balance, identity and subject issues unique interpretation, from which leads to three global, national and local theoretical issues.