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不难设想,从《夜宴》到《黄金甲》,两个看起来不相干的作品,却呈现出同样一种倾向:把西方人看电影的目光殖民到了中国的电影院中了。
It is not hard to imagine that from the “Banquet” to the “Golden Armor”, two seemingly unrelated works exhibit the same tendency: to colonize Chinese cinemas by watching westerlies.