从宽泛意艾上讲，中国画都是写意的。所谓“意”，就是主体内在视界中呈露的外在自然的性调、“气韵”、“神”等；也就是一般所谓主客体相沟通融合所前生的某种审美体验。宗清说的“畅神”，王微所谓“纵情”（《画山水序》），张所谓“外师造化，中得心源”（《叙画》），说 In a broad sense, Chinese painting is freehand. The so-called “intention” is the external natural tone, “qi yun” and “god” which are exposed in the inner horizon of the subject. That is to say, the so-called objective and objective subjects communicate with each other before being some aesthetic experience. Zong Qing said “smooth God”, Wang Wei called “indulgence” (“painting landscape”), Zhang so-called “good fortune, good source of” (“Narrative”), said