近年来文学界忽然刮起一股推崇民国诗学的风气,听闻上海古籍的《中国近代文学丛书》在一些地方几近脱销,出版方不得不增加印次,才能满足读者的需要,这在十几年前是想也想不到的。早些年,民国诗并不太受文学界重视,一些文学史偶尔会提一下南社的诗学革命,而“同光体”则是作为封建文化余孽,长期处于被批判的地位。面对这股民国诗学热,笔者内心不免喜忧参半。喜者,民国以后,我国旧体诗学 In recent years, the literary world suddenly blew up a style of admiration for the poetics in the Republic of China. Hearing that the “Modern Chinese Literature Series” of ancient books in Shanghai nearly went out of stock in some places, the publisher had to increase the number of impressions in order to meet the readers’ needs. A few years ago I could not think of it. Earlier years, the poetry of the Republic of China was less valued by literary scholars. Some literary history occasionally mentioned the revolution of poets in Nanshe. However, “same light” was a long-term criticism as a feudal culture. In the face of the Republic of China poetic hot, I can not help but mixed feelings inside. Hi, after the Republic of China, China’s old-style poetics