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本文以琳达·哈琴所界定的“编史元小说”为理论基础,通过对美国后现代作家唐纳德·巴塞尔姆的短篇小说《罗伯特·肯尼迪溺水获救》进行细致地分析,说明巴氏在这部短篇小说中通过打破传记叙述的真实性、线性叙述结构和叙述视角来戏仿传记等编史形式,意图向读者揭示历史编撰的话语建构本质及其断裂、碎片化的文本特征,并彰显叙述者的主体性以及叙述主体的反复无常性,最终解构编史与文学之间的二元对立。
This article, based on Linda Harqin’s “Novels of Historical Novels”, analyzes in detail the death of Robert Kennedy, the short story by American postmodernist Donald Barthelme, In this short story novel, he tries to imitate the editorial history such as biographies by breaking the authenticity, the linear narrative structure and the narrative perspective of biographical narration and intends to reveal to readers the nature of the construction of discourse of historical compilation and the textual features of its fragmentation and fragmentation. And demonstrates the subjectivity of the narrator and the capricious nature of the narrative, finally deconstructing the binary opposition between editorial and literature.