《枕上无梦》的舞美设计以中国传统艺术精神为出发点,运用写意的手法对场景进行简约化的表现,将“形与神”、“意与境”在有限空间里得到无限表达与延伸。这种诗意般、禅意化的舞台营造出的梦一样的氛围与气质来自导演独特的戏剧美学追求,也来自舞台设计师对所营造的视觉空间画面的把握。反观当下一些舞美作品只顾追求炫目奢华的视觉效果,弱化了戏剧主题,冲淡了故事情节,掩盖了角色表演,抢夺了观众视线,这种喧宾夺主的设计作品值得我们引以为戒。只有合乎戏剧人文精神和艺术价值的舞美设计才有价值。 “The Sleeping Beauty” design starts from the spirit of traditional Chinese art and uses the freehand technique to simplify the scene. It will give you infinite possibilities in a limited space Expression and extension. This poetic, Zen stage to create the dream of the same atmosphere and temperament come from the director’s unique aesthetic pursuit of theater, but also from the stage designer to create a visual space to grasp the screen. In the meantime, some present-day pieces of theatrical works only pursue the visual effects of dazzling luxury, weaken the theme of the drama, dilute the storyline, cover up the performance of characters, and rob the spectators’ sight. Such overwhelmingly designed works deserve our warning. Only in line with dramatic humanistic spirit and artistic value of the design of the United States have value.